There was a really nice scene in episode one of this season that we cut out - it was Andy and Bill driving in the car, and Bill is talking about this fact that he feels different, that he can kind of sense that there is something different about him. When he loses the power, all his powers, and he can no longer daywalk and everything is gone, he gets reset in a way. This year, I think that the writers wanted to create an essence of that first season, that first couple of seasons where the show was smaller, wasn’t as multi-story-layered, and one of the things they did with Bill to make that happen was a sort of an echoing of his past. The thought of his power at that point, that’s very difficult to play, but I loved it. Of course, it was great fun to do when suddenly he was omnipresent and omnipotent. Alan was fantastic and tried to explain it, and actually that incarnation of Bill I think probably remains my favorite. It wasn’t that I didn’t want to play it - I was unsure of the motives behind it. The way that they were sending him was really vicious with her, and then he has the creepy breaking Lorena’s neck. He gets kidnapped by Russell at that point, and he becomes quite evil with Sookie, not telling her that he had been sent originally to procure her. I was very unsure about the nature of where Bill was going in season three. There will always be a part of me that’s - not smitten, but that first couple of years and the first year specifically was such an amazing ride, being able to make Alan’s dream, that crazy dream that he had that seems like a lifetime ago. What I was attracted to in the script was a hint of darkness in the very nature of the thing that he is, and yet it was wrapped up in this enigmatic, rather quiet person. Prior to the finale, the actor sat down with THR to talk about his character’s evolution and what fans can expect from him in the final episode:īill’s held many roles in the show’s seven seasons. It was all very wrapped up in the emotion of that being the last time.” “The guy who’s sitting behind the camera is the guy who’s been sitting behind the camera for seven years. Playing some of those locations for the last time, it was really hard,” he says. If that hadn’t been the case, this would still have been an extraordinary seven years. “It’s really hard sometimes - regardless of the fact that obviously I met Anna doing this job and we got married and had babies. Sunday’s finale ends the Alan Ball-created drama’s seven-season run, which has brought Bill from love interest to vampire king to daywalking god to local patriarch - and during which Moyer met his real-life wife, Paquin. “You cannot keep Warlow away from Sookie,” the driver hisses before disappearing in a flash of light.But no matter how his fast-accelerating sickness resolves, Bon Temps’ “vampire Bill” won’t be back on HBO in the foreseeable future. The eerie driver (Rutger Hauer) seems to know all about the ill-fated Stackhouse clan, including the murder of Jason and Sookie’s parents by Warlow, an ancient and mysterious vampire. At this rate, they’ll progress from kindergarten to college in a couple of episodes.įinally, Jason makes a strange new acquaintance when hitchhiking home. Those cute little girls, by the way, are growing at an incredible speed. That’s the sad truth,” admits Andy, who receives diapering lessons from cousin Terry (Todd Lowe) and his wife Arlene (Carrie Preston). “I don’t know how to take care of my own babies. Major bonding ensues.Īs for Sheriff Andy Bellefleur (Chris Bauer) - who sired those half-human, half-faerie quadruplets with oh-so-fertile Maurella (Kristina Anapau) - he’s overcome with new daddy anxiety. Sam enlists the help of flamboyant short-order cook Lafayette (Nelsan Ellis) to care for Luna’s werewolf child, Emma (Chloe Noelle). Meanwhile, back in bucolic Bon Temps, restaurateur Sam Merlotte (Sam Trammell) mourns the loss of girlfriend Luna (Janina Gavankar), a “shapeshifter” who died while escaping the Authority. Good thing she’s got regenerative powers. And the crafty politician would rake in lots of reelection cash.Īfter the governor imposes a nighttime curfew on vampires and shuts down their businesses, his troops raid the Fangtasia vamp bar and shoot feisty Tara. With TruBlood back on the market, vampires would once again become peaceful, taxpaying members of society, he figures. “Stock up on wooden bullets.”ĭefinitely a man with a plan, the governor approaches a TruBlood manufacturer and offers use of a shuttered bottling factory. Buy as many guns as you can,” the Governor urges his non-vampire constituents. Truman Burrell (Arliss Howard) declares war on vampires, who increasingly prey on humans because synthetic TruBlood is in short supply.
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